Culture Lab LIC's New Works Festival 2025 will showcase the year-long, original work of our four 2025 Emergence Artists in Residence! Featuring four separate works by Emily Batsford, Kizuna Dance, Obremski/Works, Forager Theatre Company​
Emergence Artist Residency Program 2025
Culture Lab LIC is excited to announce our 2025 Emergence Artists in Residence!
These diverse and exceptional performace based artists will be a part of Culture Lab LIC's New Works Festival coming this Fall!
Culture Lab LIC's Emergence Artist Residency is a developmental performing arts program geared toward the support and creation of new work.
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Started in 2021 by former Director of Performing Arts, Tana Sirois, the Emergence Artist Residence began as a desire to offer free rehearsal and performance space to performing artists. Since its conception the residency has been further developed and led by Artistic Director Tess Howsam expanding the program to include peer review sessions during the artists year and culminating in Culture Lab LIC’s New Works Festival November and December.
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Obremski/Works presents
Coloratura US
Part of Culture Lab LIC's New Works Festival 2025 collection
Collaboration of multidisciplinary AAPI artists' "Coloratura US", addressing wartime anxieties, family, and the heartbreak of dreams.
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Friday, November 07, 8pm
Saturday, November 8, 3pm & 7pm
Sunday, November 9, 3pm & 7pm
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Coloratura US is a world premiere evening by Founder, Director, and Choreographer Jesse Obremski to be premiered the first week of November at Culture Lab LIC during their Emerging Artist Residency program.
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This site-specific evening-length work will highlight a colorful array of human emotions, connections, and injustices during war, wartime anxiety, and the heartbreak of dreams, showcasing that AAPI artists can advocate for more than just AAPI subjects.
The work will involve a partnership with Compound Playground to incorporate live music by four musicians with Jesse Obremski as the vocalist, and all of the music being composed by Coldplay.
Joined by visual artists, Tsai-Hsi Hung and Midori Furutate, Coloratura US is a world-building and life-affirming juxtaposition to our current global climate.
Obremski/Works
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Founded by Jesse Obremski and associate founders on July 28, 2018, and given deepened purpose after the spate of hate crimes against the AAPI community in 2021, Obremski/Works (O/W) is a hub for Jesse Obremski’s choreography, and a internationally presented contemporary ensemble and community of AAPI equity-minded individuals, with a deep dedication to life-affirming/why-driven performance art, support fellowships, and AAPI culture.
Obremski/Works continues to enhance its programming and artistic outreach toward the expanded presence and artistry of AAPI individuals and communities and was described as “more than a dance company, it is a vehicle for social change” and a company that “already displays a signature style and emotional resonance” by The Dance Enthusiast.
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Cumulo: A Workshop Run
Part of Culture Lab LIC's New Works Festival 2025 Collection
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Puppet protagonist Plum freefalls through the sky, encountering weather and whimsy along the way. A nonverbal puppet piece by Emily Batsford.
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Whimsical and violent, Cumulo is a puppet allegory that examines how we reclaim autonomy when life sends us into freefall. Protagonist Plum plummets through a skyscape of sentient cotton candy clouds and creatures in an immersive journey of embodied self-transformation, supported by a cotton candy set embedded with fans and a large-scale mobile of floating cloud islands.
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Co-produced by Concrete Temple Theatre. ​This workshop run of Cumulo was developed during Culture Lab LIC’s 2025 Emergence Artist Residency.
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Thursday, November 13
7pm doors, 7:30pm curtain
Friday, November 14
7pm doors, 7:30pm curtain
Saturday, November 15
1:30pm doors, 2pm curtain
7pm doors, 7:30pm curtain
Sunday, November 16
1:30pm doors, 2pm curtain
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Performances run 50 minutes, with no intermission.
Emily Batsford
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Emily Batsford (they/them) is an NYC-based puppeteer and theater maker. Their artistry prioritizes inclusion & accessibility, and takes inspiration from immersive and physical theater practices, puppetry, and experimental forms.
As a passionate theater deviser, Emily has also participated in countless work-in-progress showings at incubators like PuppetBlok, Concrete BOOM, Special Effects Festival, Object Movement Festival, LabWorks, The Tank, and the Henson Carriage House. When not performing, Emily is a Teaching Artist for Child's Play NY, Brooklyn Arts Exchange, New York City Children's Theater, and CO/LAB Theater Group.
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Kizuna Dance presents
Bread & Circus
Part of Culture Lab LIC's New Works Festival 2025 collection
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Thursday, November 20, 7:30pm
Friday, November 21, 4pm
Saturday, November 22, 7:30pm
Sunday, November 23, 7:30pm
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A blended dance-form performance that questions the allure of escapism through dynamic dream-inspired sequences.
Inspired in part by the vivid worlds within the works of Seijun Suzuki, Oscar Oiwa, and Tomokazu Matsuyama, Kizuna Dance’s BREAD & CIRCUS questions the allure of escapism by using dreams as a lens for both self-discovery and for confrontations with reality/the status quo. The company’s idiosyncratic mix of contemporary floorwork, streetdance styles, and capoeira hyperphysicalizes the surreal progression of dreams — from familiar yet uncanny beginnings to vibrant, chaotic twists and turns — and investigates the paradox of boundless imagination constrained by individual perspective.
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Kizuna Dance is an international repertory ensemble that blends streetdance with contemporary floorwork to create dances that celebrate Japanese culture. The company has performed nationally and internationally at prestigious institutions and festivals such as Kobe College, The Japan Society, Performatica, the Let’s Dance International Frontiers Festival, Middlebury Institute for International Studies, and La Halle aux Grains. With more than 20 years of Japanese language study, award-winning Artistic Director Cameron McKinney has received fellowships from the U.S.-Japan Friendship Commission, The School at Jacob’s Pillow, Princeton University, the Alvin Ailey New Directions Lab, and the Asian Cultural Council. He has presented work and taught in over 20 states and in Mexico, Germany, Belgium, Spain, Japan, Ireland, France, and the UK. In 2020, he performed his original choreography alongside Sayo Homma (Dance Barbizon) in Tokyo, Japan in the U.S. Ambassador's Residence. He has received over 30 commissions from institutions across the U.S. and abroad, including The Ailey School, Marymount Manhattan College, Princeton University, Montclair University, three times from the Let’s Dance International Frontiers Festival (UK), Slippery Rock University, Swarthmore College, and Brigham Young University, among numerous others. He has been on faculty at Montclair State University and NYU Tisch, among other universities and festivals. Each year, he organizes Kizuna Dance’s Open Intensive, a week of day-long intensives made entirely free for all participants.
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Performers include Isabele Rosso, Lesar Stepputat, Juan Ospina, Emily Aslin, Rachel Calabrese, and Eric Blovits
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This performance and creation of this work has been supported through a Peridance Center Artist Residency.
​Kizuna Dance
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​Kizuna Dance uses a blend of street dance and contemporary floorwork to connect the American and Japanese cultures through the performing arts. The company has performed nationally and internationally at prestigious institutions and festivals such as the U.S. Ambassador’s Residence in Tokyo, Kobe College, The Japan Society, Performatica, the Let's Dance International Frontiers Festival, and Middlebury College's Japanese Language School, among many others.
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With 19 years of Japanese language study, Kizuna Dance Artistic Director Cameron McKinney has received fellowships from the U.S.-Japan Friendship Commission, The School at Jacob’s Pillow, the Asian Cultural Council, Princeton University, and the Alvin Ailey Foundation. He has also presented work and taught in twenty states and in Mexico, Germany, Belgium, France, and the UK.
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8min20sec
A Collection of Musical Reckonings
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Part of Culture Lab LIC's New Works Festival 2025 collection
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Thursday, December 4, 7:30pm
Friday, December 5, 7:30pm
Saturday, December 6, 3pm & 7:30pm
Sunday, December 7, 3pm
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It takes 8 minutes and 20 seconds for the sun's light to reach our Earth. 8min20sec is a collection of musical reckonings, each beginning when the sun is announced to have gone out. We witness different reactions to the world-ending news, but each story begs the question: how can we hold on when we have to let go?
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Directed by award-winner Jennie Hughes and co-produced by Forager Theatre Company.
Forager Theatre Company
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Forager Theatre Company is an independent nonprofit organization that builds spirited, joyful, holistic experiences from the objects, spaces, viewpoints, contributions, and people it can gather from any and everywhere. Founded in 2022 by Jennie Hughes, Iris Rodrigo and Alex Parrish, Forager proudly brings freaks, geeks, and drama queens together for unforgettable experiences. Artists with Forager participate in any of its four branches or can build a pathway through them, beginning with compassionate donation-based education donation-based education (Take Root) and productive content development (Unearth), then expanding into diverse one-night experiences (Blossom) and innovative mainstage productions (Harvest). “Art starts with what you have.”
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Emergence Residency Artists 2022

SUNSET CIRCUS
Parallel Exit's SUNSET CIRCUS is an original work of contemporary circus, following the story of a traveling circus troupe, discovered in their camp, taking a break between towns. After being invited to gather around the fire, the audience experiences the laughs, the loves, and the lives of this nomadic circus family as they reach iconic familial milestones. Each generation has their own story - the young coming into their own, passing the torch from one generation to the next, finding one’s place in the family, welcoming a young child, the wisdom of the elderly, and a celebration of life and survival by coming together as a family.
instagram.com/parallelexit
facebook.com/ParallelExit
NOTHING FURTHER
NOTHING FURTHER is a multimedia performance by Meridith Grundei that will take you on a generational whirlwind of a ride through the closed doors of a suburban home. This is a story about a daughter's relationship with her father. It is a story about secrets, memory, generational trauma, gender identity, the need to keep up appearances, and a veteran who lived with PTS(D) from the Vietnam War and how this affects family, the larger community, and subsequent generations.
instagram.com/thisimprovisedlife
twitter.com/meridithgrundei


Unbreakable Hope and Resilience
Led by Japan-origin/ NY-based composer and producer Migiwa Miyajima, "Unbreakable Hope and Resilience" is a collaborative performing art with the nine-movement musical suite played by a 17 piece jazz orchestra and a projection mapping highlighting the strength and resilience she witnessed in survivors of the 2011 Great East Japan Earthquake.
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soundcloud.com/migiwa-miyajima
facebook.com/MigiwaMiyajima.pianocomp
Daniel Tortoledo
"Once Daniel Tortoledo makes his charismatic vocal appearance, we can't help but compare him to names like David Bowie and John Lennon through his natural allure and tonality" - Buzz Music
Official Site: www.danieltortoledo.com
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Daniel Emond
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One part polymath, one part case study in chronic ambivalence, Daniel Emond is an innovative composer of Musical Theatre whose multifarious music projects include his Moby-Dick Rock-Folk-Hiphop Musical Kill The Whale: A Musical Odyssey, his upcoming solo album Mountains of Lively, and his newest Musical he's excited to be developing at Culture Lab: Such Curious Things, A Musical Trialectic exploring the Dream space through three voices: Freud, the neuroscientist Santiago Ramon y Cajal, and journalist Charlotte Beradt.
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facebook.com/Danielemondmusic
YouTube Channel
killthewhaleofficial.com
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Official Site: www.danielsswelltunes.com
Michael Sarian
Praised for his "unique compositional and instrumental voice" (Friedrich Kunzmann, All About Jazz), Michael Sarian is a versatile trumpeter and composer who has been dedicated to creating music in as many ways as it's listened to: from free jazz to soul and R&B, chamber jazz to prog-rock, and everything in between. During his residency at Culture Lab, Michael will be exploring the cross section between composed music and spontaneous creation with ensembles ranging from trios to 16 piece big bands.


Compound Playground
Dance duo, Chieh Hsiung and Yu-Wei Hsiao, are Taiwanese performance artists in NYC. Hsiung and Hsiao create dialogue through dance movements and the violin. Hsiung creates choreography through Hsiao’s violin movements while Hsiao dances and plays violin at the same time.
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“Compound Playground” is a project focusing on merging old-school elements into modern cultures. Hsiung is not only going to introduce the Taiwanese/Chinese folk dances, but also using their elements to connect modern dance, contemporary dance, street dance, and ballroom. In Hsiao’s musical arrangement, he will rearrange Taiwanese folk songs to Classical, Jazz and neo-soul styles.
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Chieh Hsiung is a freelance dancer, choreographer and dance teacher.. Yu-Wei Hsiao is a crossover violinist, who collaborates with various artists, such as contemporary dancer, pole dancer, jazz musician and videographer. Hsiao also got his DMA in violin performance from Rutgers University.
BROTHERS IN ARMS
“Brothers in Arms” is a devised multi-disciplinary theatre piece exploring isolation, survival, connection and intimacy between male-identifying folks, co-created and performed by @james_clements92 (he/him) and @jmg160 (he/they). Set in an undefined space during a moment of conflict and crisis, the piece, built from the wildly varied experiences of its Dominican-American and Scottish creators, unpacks shifting ideas about masculinity, memory, camaraderie and communication. The piece combines movement, dance, music, poetry, video, verbatim text and imagined language, and was originally developed at @lamamaetc.
John and I are @jmg160 and @james_clements92 (he/him) on Instagram!


Taken by Artificial Surprise (working title)
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Descriptions for magic effects featuring increasing degrees of surprise factors are algorithmically generated and performed by Jeanette Andrews in an installation, exploring issues in AI and how surprise is uniquely human and crucial for consciousness.
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This work is made possible by Franklin Furnace Archive, Inc. and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
Jeanette Andrews: Magician & artist. Site-specific/commissioned work: Museum of Contemporary Art Chicago, Quebec City Biennial, Cooper Hewitt, Birmingham Museum of Art, International Museum of Surgical Science. Affiliate of metaLAB at Harvard. Prior artist-in-residence: High Concept Labs, Institute for Art & Olfaction. Praised by: PBS, the Chicago Tribune & the New York Times.
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Instagram: @jeanetteandrewsmagic
Twitter: @JeanetteMagic
Facebook: @SensoryIllusions
The ChoreoJoey Project: PLIGHT
The ChoreoJoey Project is a collective team of dancers, actors, and multimedia artists committed to the preservation and use of jazz and West African dance in harmony with narration, poetry, and storytelling in order to create new ballets with contemporary sociopolitical and historical context.
"PLIGHT" is a choreographic retelling of an artist's struggle to discover their pathway after completing their studies.
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@paljoeyisslick on IG/twitter

Emergence Residency Artists: 2021








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